Starring Dameon Clarke, Matthew Gray Gubler, Ryan Smith, Laura Regan, George Wyner, Douglas Dickerman and Mary Jo Catlett
This looked to be like an intriguing film, another farce it seems on the slasher genre. With a setup that makes it look like a infomercial and the lead portraying Tony Robbins if he went psychotic. It really fires on all cylinders. It is very witty and funny and has some great performances by the 2 leads of the film, who really carries the films till its hilarious ending. This is definitely the best slasher satire film I have seen since Behind The Mask: The Rise of Leslie Vernon. Though, it does not reach the heights of that film, it still supports itself ably well. I was laughing throughout the film and really enjoyed watching the travails of the lead as he tried to instruct someone in the art of being a serial killer.
The plot basics are this, Mike Wilson (Clarke) is a articulate, intelligent and charismatic man who has found his true calling in life, to be a serial killer. He now wants to pass on all his expertise onto anyone who wants to follow in his footsteps. He finds a nerdy guy, Bart (Gubler) and decides to instruct him in the way of killing to make him a better person. Mike trains him in the ways of killing, the ethics of the serial killer and the disposing of the bodies. Everything is proceeding well until Mike’s girlfriend Abigail (Regan) discovers Mike’s deep dark secret and this sends Mike into a deep spiral of killing anything that disrupts his way of life. The question is will Mike escape the law and will Bart follow his instructor and become the next great serial killer?
This is a great film. The direction by Ricci is great, I love how the movie starts out like any late night infomercial you would see and then digs into the training of Mike’s protege. The script is great too, very sharp and witty and it definitely keeps you enthralled in the characters till the ending. Mike is really very likable and you like him despite he kills people for the sheer hell of it. The cast is really great for a independent film like this. Clarke is great as the serial killer mentor, he is charismatic and funny as hell. Gubler is very good too as the neurotic serial killer in training. He reminds me a lot of Steve Buscemi. I also liked George Wyner as the psychologist who tries to explain why Mike does what he does. He lends a great gravity toward the film and you know that Mike is on a road that leads to nowhere with his inclusion in the film. The SFX is very nominal in the film as the film relies more on the writing and performances than the spectacle of the film. If you are a fan of slasher satires like Behind the Mask or Scream definitely check it out.
Starring John Morghen, Lorraine De Selle, Danilo Mattei, Zora Kerowa, Walter Lloyd, Meg Fleming and Robert Kerman
The sub genre of the Italian cannibal film is one that I think is an acquired taste. I really only think that fans who are more open to the extreme nature of the subject matter are open to these types of films. These films tend to revel in the outrageousness of animal torture and human depravity. Cannibal Ferox would be number two on my list, right behind Cannibal Holocaust. It is still a gruesome and shocking film, but I think Holocaust pushes the envelope more and the way it portrays the film as a documentary film makes it much more realistic. Ferox actually bounces back and forth from being a cannibal film to a Policia. I think these transitions take you out of the film at times, they are too jarring and do not seem to really fit. Especially the jarring disco music it plays whenever it takes place in New York City. This film has many strong points though, the best example of this being John Morghen, he steals every scene he is in and just exudes vile evilness. The cannibal attack scenes are shocking too, especially the nipple hanging and the head lopping and brain eating scenes. But people with weak stomachs should stay away as they have scenes of real animal cruelty in the film. These are horrible but I feel that you don’t get the full power of the film without seeing those scenes.
The plot basics are this, Gloria (De Selle), Rudy (Mattei) and Pat (Kerowa) are traveling in the Amazons, so Gloria can refute that there is such a thing as cannibalism for her PhD. While in New York, mobsters are looking for Mike Logan (Morghen) who has absconded with a ton of their money. Soon, the travelers meet up with Mike in the Amazon and as they travel with him they see how cruel and twisted he is. They soon find out that he is running from the mob and has been unnecessarily cruel to the local natives. Gloria and Rudy decide to leave but then the men of the native tribe come back and exact bloody vengeance upon them. Gloria begins to go mad and wonders if she will survive the atrocities that are inflicted upon her and will she be able to tell her story or die in the jungle and feasted upon by the cannibals.
This is a shocking and jarring film. Lenzi’s direction hooks you from the very beginning. He makes great use of Amazonian scenery and sets up the scenes of abject horror very well. The script is good, it sets up the story very well. There is not much depth into any of the characterizations, but that works for the film’s benefit. The cast is good, especially Morghen, he steals every scene he is in. The sleaziness of his character is very palatable and you cannot wait for him to get his comeuppance. The SFX is very good too, it is very bloody and disgusting, which really works in the context of the film. It really makes everything seem more realistic. The score by Carlo Maria Cordio is very good, the music used during the jungle scenes is very haunting and stays in your head long after you see it. I recommend this to fans of extreme genre films.
Starring Gianna, Allison Miller, Liam Cunningham, JJ Feild, Koyuki, Larry Lamb, Colin Salmon and Andrew Pleavin
I had been wanting to see this, as I am a big fan of the original anime and I was wondering how it would translate to a live action medium. The transition from anime to live action film is handled very well. This version of the story reminds me in some aspects of both Kill Bill and The Machine Girl. It has wild action sequences and very bloody moments. Some of the elements of the story are also very reminiscent of Buffy the Vampire Slayer. The whole high school motif and the whole idea that there is a shadow group that is behind the war on vampires, while protecting the human race by keeping them in the dark. The cast is very good too, Gianna is a great presence as Soya and Miller is very reminiscent of Amber Tamblyn. The fights in the film are fast and frenetic and have you transfixed throughout the entire battle. It is also great how creative some of the fighting is.
The plot basics are this, it is 1972 in Japan and a new student, Soya (Gianna) enters the high school in a U.S. military installation. She is not what she seems though, she is far older than she looks and is on a mission to destroy all vampires and is hunting Onigen (Kyoko), the master of all vampires. She comes to the rescue of the General’s daughter, Alice (Miller) who is attacked by 2 vampires that are posing as high school students. Soon, Soya has created a bond with Alice and they are now united together to stop the vampires and to finally defeat Onigen. There are many obstacles, from more vampires too a betrayal of Soya from the Council member that is moving up his own agenda.
This was a fun as hell film. Nohan’s direction is great, he has a real touch for action scenes and also uses the dark and the alleyways of Japan very well. The scene outside the bar is an excellent example of this, it is dynamic and pulse pounding. The script is taut as well, the relationship between Soya and Alice is very humanistic and you really empathize with them. The villains are quite good too, especially the slimy Council member who tries to eradicate Soya. The cast is very good, Miller is very good as the human center point, Alice. You feel her issues and root for her. For the most part Gianna plays Soya as a cipher and that works really well. I also liked the small part Salmon played as the fencing coach, who is more than you think. The SFX is amazing, they use both CGI and practical effects really well. With plenty of blood flying this will be a great treat for grue fans. For fans of the original anime and vampire films in general this one is highly recommended.
Starring Patrick Magee, Ann Todd, Tony Beckley, Madeiline Hinde, Suzanne Leigh, Percy Herbert and David Lodge
This film caught my eye when I saw it as a recent new release on Netflix, so I thought I would take a chance and rent it. I would have to say, it is definitely a look see. It is a film that combines Alfred Hitchcock’s Frenzy with Psycho. Just with a far more sleazy and exploitative bent to it. The main thing that interested me was that it had Patrick Macgee of A Clockwork Orange fame in a central role. I have always dug his work, and was curious to see him playing a sinister religious pastor in this film. This is also a film that is very timely, as it’s central theme is the fanaticism of religious zealotry. With what is happening in the world today, I think that theme really hits home in this film. Also, one of the main characters is diabetic and has their life put in danger due to the habits of the religious doctrine, with no regards to their health issues. That really struck a nerve with me, since I am also a diabetic. The film also relies heavily on sexual sleaze and exploitation, which really works in its favor. I think without that touch the film would not be as memorable or as exciting.
The plot basics are this, in London a sinister sect of Christianity that calls themselves “the Brethren” and lead by a controlling and unfeeling minister (Magee), has been rising in popularity. The Minister has a controlling aspect over Birdy Wemsy (Todd), who is a diabetic and has periods where she is unsure of her reality. She is watched over by her son Kenny (Beckley), who is spiraling into madness. He begins to stalk young girls and killing them, rationalizing that he is baptizing them for the Lord. We then meet Brigitte Lynch (Hinde) a reporter who decides to investigate “The Brethren” and soon discovers the bizarre things that Kenny is doing. While this is happening the Minister coaxes Birdy into fasting and her being a diabetic, could make that fatal for her. As Kenny spirals deeper into his depravity and madness, his mother goes off the deep end with the Minister and who knows what this will drive Kenny to do?
This is a good film. Hartford-Davis direction has a slow build of menace throughout the film. It definitely takes its own leisurely pace to get going and that kind of pacing may not be for everyone, but it worked very well for me. He stages the murder scenes very well and I did enjoy how he went back and forth from one murder to a baptism, making a great analogy there. The script is very good too, it is all about the manic zealotry of fringe cults and the themes are never beaten over your head, but are just a organic development of the development of the story. The cast is the best part of the film. Magee is dynamic as the sinister Minister of “The Brethren”. He commands the screen with every moment he is on screen. Beckley as the psychotic Kenny is very good too and reminds me a lot of Anthony Perkins as Norman Bates. I also liked Todd as Birdy, she was really the only character you felt any sympathy for. You really hoped she woke up and saw what the Minister was doing, but she was just too deluded and too ensconced in the cult of “the Brethren” to get past it. There is not much SFX in the film, it is more about mood and atmosphere than showing in full bloody revelry the grisly murders. If anything, this film relies on T & A more than any thing else and it does that really well. I recommend this to exploitation film fans and for fans of Hitchcockian films.
The Killing Room 2009
Director: Jonathon Liebsman
Writers: Gus Krieger and Ann Peacock
Starring Chloe Sevigny, Peter Stormare, Timothy Hutton, Clea Duvall, Nick Cannon and Shea Whigham
The Killing Room is yet another variation on the Saw and Cube type of locked room horror film, but unlike a lot of it’s wannabes, this is one is executed perfectly. It has a great conceit, with a great script, director and a exemplary cast. It really makes you think and the film definitely has some shocking moments in the film. Liebsman is really blossoming into a great genre director, his first film Darkness Falls had a great idea but was ultimately flawed and from that he went on to Texas Chainsaw Massacre: The Beginning, which is the far superior of the modern entire in that series. I aloes think the film is really helped by the anchor of Stormare as the main heavy and he always brings his A game to anything he does. This is a film that you discover more with each repeated viewing and it actually benefits the locked room genre rather than detract from it.
The plot basics are this, four disparate people meet in a stark white room. They have all agreed to be part of some psychological testing for monetary gain. They are all given a large questionnaire to gauge their psychological insight. Once they finish it the one in charge of the test, Dr. Phillips (Stormare) tells them that they will go through a rigorous series of psychological tests. He wants them to all come up with the same answer or there will be dire consequences. Phillips watches this all with rapt attention while boning up a new military scientist (Sevigny) on what he wants to achieve here. She is unsure what to make of his diabolical plans and has a crisis of conscience if she should go along with it or put an end to the charade. While the beleaguered people in the room are trying to work together and all survive intact. But, will that work or are they all doomed to failure?
This is a tense and tightly woven film. Liebsman direction is very claustrophobic and intense. He sets up the stage for what is to happen and then pulls the rug out from the viewer effortlessly. The script is very taut as well, you get feelings for all the characters and actually sympathize with most of them. There are many twists in the films that are shocking but really work well in the context of the film. The cast is great, Stormare is the high point of the film. He just exudes the oily used car salesman persona in this role and he is delightfully maniacal. Chloe Sevigny is great as the scientist who has moral dilemmas about what is happening right in front of her. What was really surprising was the great performance that Nick Cannon gave, this is miles above his horrible performance in the Day of the Dead remake. I did not even recognize him, he fit into his role that well. The SFX in the film is very good too, there is not a lot but what is displayed is used very well. This was a great film in the vein of Saw and Cube, but different enough to be it’s own beast.
This one gets 5 out of 5
Starring Jesse Eisenberg, Woody Harrellson, Abigail Breslin, Emma Stone and Bill Murray
The zombie genre is one that has become inundated with many entries and many of them are not so memorable. I was hoping Zombieland would remedy this problem and it really does it very well. This is definitely one of the best entries in the genre I have seen in a long while, and many compare it to Shaun of the Dead, but they are only easily compared as they are both comedies involving zombies. Whereas Shaun at it’s heart is a romantic comedy, Zombieland is a road trip film and it fires on all cylinders within that film convention. The comedy and the heart of the characters is what really propels the film and you really care for all the characters. There are no stereotypes in this film and that is an amazing thing to see in a horror film. It has some genuinely scary moments, but goes more for laughs throughout the film and almost always succeeds. This is a great hybrid of horror and comedy, and is well worth repeated viewings.
The plot basics are this, it is present day and civilization has been brought down to its knees by Mad Cow Disease and has affected humanity and turned most people into mindless flesh eating zombies. We meet Columbus (Eisenberg), an neurotic ex college student, who survives by his own book of rules and is trying to get back to Columbus to see if his parents are still alive. He meets up with Tallahassee (Harrellson) a zombie ass kicker, and they hook up, since they are both going the same way. Along the way they meat 2 girls, Wichita (Stone) and Little Rock (Breslin) who are sisters and are trying to get to a amusement park on the West Coast that they believe is zombie free. After a few misadventures they had to California and that is when a huge zombie attack is upon them and one wonders will Columbus be able to man up now or keep going with his neurotic ways?
This was an amazing film. The direction by Fleischer is amazing. He shifts from seems of over the top humor to quick and frenetic zombie attacks with great ease. It also never seems as if the 2 themes in the film are separate. The voiceover narration in the film is a great touch as well, probably the best use of a narration in a film since Blade Runner. The script is solid too, it is gut wrenchingly funny, and also has a very humanistic element throughout the film. It is a film with a lot of heart and it never feels like it is forced on you it just comes organically from the story and the performances by the cast. The cast is amazing as well, Harrellson really steals the film and this is by far his best performance since Natural Born Killers. Eisenberg as the lead is very good too, he gives a performance that never annoys you, which I am sure would have happened if they got someone like Jon Hader or Michael Cera for the part. The little bit with Heard is great as well, she is definitely one of the up and coming genre actresses with roles like this and All the Boys Love Mandy Lane. The SFX in the film is phenomenal. It has some great zombie effects, my personal favorites being Heard and the clown zombie. Definitely the best zombie make up work I have seen since the Dawn of the Dead remake. The soundtrack that the filmmakers chose is great too, every song really hits the notes that they want the viewer to feel. They have the right feel of what music works like the music in a Rob Zombie film. This is a great zombie film and a hilarious comedy as well. I highly recommend this one.
Starring Dylan Baker, Anna Paquin, Rochelle Aytes, Quinn Lord, Tahmoh Penikett, Leslie Bibb, Brian Cox, Lauren Lee Smith and Monica Delain
This is a film I had been anticipating seeing ever since I first saw the trailer when I picked up the 300 DVD. I was worried it would not hold up to all the hyperbole and anticipation that it has garnered. I am happy to say that, this actually beats Drag Me To Hell as my favorite horror film of the year. This is a film that just fires on all cylinders. It is like a hybrid of Creepshow and Pulp fiction and it flows together flawlessly. This is a film all about the traditions of Halloween and how they have been disregarded and abused over the years. For fans of the holiday, this is a must see film and though it is a short film, clocking in at 82 minutes it is the perfect running time and I think any longer and it would have overstayed its welcome. It has a great ensemble cast that really plays off of each other well.
The plot basics are this, it is Halloween and a couple (Pinikett, Bibb) are returning from a party and the female decides to wrap up her holiday decorations. However, her man tries to dissuade her saying that it is bad luck to remove it till after Halloween but she does it anyway. Next we meet Steven (baker) a school principal who is a stickler for the traditions of Halloween and a dark secret. We now flash to Laurie (Paquin) who is hunting for a costume and seeming to try and lose her virginity on Halloween. Next we meet some teenagers, who are mesmerized by a horrible school bus accident and decide to go to the crash site and have some fun with a slow girl in the process. Finally we meet a hermit of a old man, Mr. Kreeg (Cox), who has a disdain for Halloween and is soon besieged by a psychotic trick ‘r treater (Lord), and is fighting for his life. In the end all these characters and stories intersect.
This is an amazing film. Dougherty has a fine flair for visuals and what is scary. The film has both a sense of dread and fun permeating throughout the entire film.. He stages everything well and half the time you are taken into a completely different direction than you thought you were headed. The script is great as well, it is great how it bounces back and forth in time without seeming disjointed or confusing. The twists in the film are surprising and feel completely organic to the story. All the characters are really well rounded and fully realized. The cast is amazing, Baker as the somewhat crazed Halloween traditionalist is amazing. Paquin is very good as the innocent heroine, or so you think. Cox is great as the disgruntled Halloween Scrooge and you never expect his ending to turn out the way it does. The SFX is very good, it is very gory and splattery and it never looks cheesy or gratuitous. The werewolf transformations are in particular, amazing. The score by Douglas Pipes is very atmospheric and really plays well within the parameters of a Halloween themed film. This is a great appreciation and adoration of the Halloween holiday and any horror fan needs to see this film.
Starring Chow Yun Fat, Seann William Scott, Jamie King, Karel Roden, Victoria Smurfit, Mako and Marcus Jean Pirae
Chow Yun Fat in a martial arts centric film makes it a given that I will see it. I was a little wary of this one though, since I don’t connect martial arts action with Seann William Scott. Thankfully though, this film combines high octane fights with some great comedic elements, and they could not have got anyone better than Scott for this kind of role. The film is fast paced, but has just the right amounts of down time that a action film like this needs. Fat is a great mentor to the burgeoning talent of Scott’s character and it is a hoot to watch their interactions. The plot is something reminiscent of the likes of Indiana Jones and it fits really well in the fantastic world of this film. This is a film that meshes all its ingredients together well and at the end you have a fun as hell action film.
The plot basics are this. the film opens at the end of World War II where a Tibetan monk (Fat) has passed the final tests to guard a ancient scroll that can either help or hinder mankind. Suddenly, the temple is attacked by a group of Nazis led by Strucker (Roden). The monk escapes and is adept at evading the Nazi for 60 years. Flash forward to the present day, where the monk is till being chased by the Nazi and his goons and he runs into Karl (Scott) a pickpocket that the monk sees much potential in and he decides to stick with him and see how he develops. This leads to Karl allying himself up with another street person, Jade (King). It all leads to the Monk being captured by Strucker and getting superpowers and youth from the scrolls, and now it is up to the Monk and Karl to put a stop to Strucker once and for all, but will Karl be up to the task?
This is a damn good action film. The direction by Hunter is very fast paced and frenetic, which really works in tandem with the story. Hunter’s past work is in music videos and that really works to his benefit on this film. The script is good too, very funny when needed and moving the plot quickly as needed too. The characterization of the 3 main characters is quite believable. The cast is great too, Fat as the monk is very believable and charming. Scott as Karl, the flawed hero, does a expert job, balancing humor and action very deftly. King as the romantic interest is very good too and she holds her own in the fight scenes as well. Roden, as the Nazi heavy is quite despicable and very fun to watch. The action sequences in the film are great, my personal favorite was Karl’s fight with Mr. Funktastic, was very well staged and a delight to watch. This is definitely recommended to martial arts fans and specifically to fans of Jackie Chan or Sammo Hung, as the film is very similar to some of their more comedic films.
Starring Kelly Galindo, Suzanna Love and Omar Kaczmarczyk
I finally saw this after purchasing the double DVD set of it and the original Boogeyman and I was hoping this would be on the caliber of the moody original. Sorry to say, that this is not the case. This could actually be the worst horror film I have ever seen. 90% of the film is filled by archival footage from the original film and the rest is wrapped around some horrible plot about a woman having dreams about the things that happened in the original. This might have worked if any of the people working on the film were at the least competent. This is just a shoddily done film on so many levels. The camera work is like what a family member does for a Christmas video, it is just laughable.
The plot basics are this, Annie (Galindo) is having a horrible time sleeping. Every time she nods off, she has horrible dreams about someone with a masked face killing people. She soon comes to realize that her dreams are not just that but predictions of the future. She goes to see a psychologist Dr. Richard Love, (Kaczmarczyk) who tires to help her with her dreams and to find out if they are real.. Soon, Annie comes to realize that she is the only one that can stop the Boogeyman, but will she be too late to stop his reign of terror?
God, I cannot even begin to go into depth on how bad this film is. The plot actually makes it sound like a decent film, but such is not the case. The direction by Nuse makes Uwe Boll look like the next John Carpenter in comparison. It looks like all the added footage made for the film was shot in someone’s bedroom. The script is not much better. My description of the plot is really all the detail the script goes into, the 2 main characters are mainly just there so the director can utilize as much of the footage from the original film as he can. The cast is pretty bad too, at least in a Troma film the acting is supposed to be bad, but Galindo and Kaczmarczyk actually think they are doing a great job. It is really painful to watch. There is no SFX to be seen in the film unless you count what is culled from the original, so that is not an issue here. This was just a bad film on so many levels and well worth avoiding, like a semi truck on the highway. You will be better off avoiding it.
Writers: Uli Lommel, David Herschel and Suzanna Love
Starring Suzanna Love, Ron James, John Carradine, Nicholas Love, Raymond Boyden and Llewelyn Thomas
This is one of the horror films I grew up watching, as it was on continuous rotation on TMC for most of that decade. So, when I saw this for 3 bucks at Big Lots I had to sang this bad boy up and see if my memory was still accurate. Because I have seen many of Lommel’s recent films and they are pretty horrible. But, after watching this it seems he blew his wad on this film, because this is his only film that runs on all cylinders and is a pretty damn good horror film. It is really neat how it combines the slasher genre, with haunting’s and demonic possessions. You would not think those things would mesh together well, but they fit together flawlessly in this film. The killer is very creepy, and he never has to say anything, you are freaked out just by looking at him. The deaths in the film are great too, some of the bloodiest I saw as a kid, and it definitely got me hooked on horror films.
The plot basics are this, we meet Lacey and Willie, who live with their single mom, who is a lush and likes to sleep around. The man she is sleeping with now is cruel and depraved. He ties up Willie and then goes to have sex with the mother. Lacey grabs a butcher knife and cuts Willie loose and he takes the knife and stabs the man to death while his sister and mother watches in terror. Flash forward 20 years later, and Lacey (Love) is grown up and married and has a small boy. While Willie (Love) has never spoken since that fateful night. Lacey keeps having nightmares so her husband takes her to the house where she grew up and she takes a mirror from the house with her and when she gets home she starts to see the lover of her mother in the mirror. She freaks out and breaks it, and it seems the lover was trapped in the mirror and now is a vengeful spirit and begins to control things and begins to kill people indiscriminately, but is ultimate goal seems to be to possess Lacey. A priest (Thomas) gets involved and must combat the evil spirit and try to save Lacey’s immortal soul.
This is a damn creepy and fright filled horror film. Lommell’s direction is very good here, he uses the killer POV very well in the film and all the hunting and killing scenes are staged very well. The script is pretty good, with some decent characterization and some very tense filled scenes. Though, it seems little effort was to give the story much depth, which has its charms, but does make some of the film seem rather hollow. The cast is adequate at best, really the only shining star of the cast is genre stalwart John Carradine, he gives a nice hammy performance as the psychologist trying to help Lacie. Suzanna and Nicholas Love do a decent job but nothing earth shattering. The SFX in the film are pretty good for the time the film was made and has some very nice gore effects. My favorite bit was when the girl is kissing her dead lover in the car and a knife comes through his mouth and enters hers, gives new meaning to the term French Kiss. This is a very good horror film and definitely one fans of the slasher genre should see.
Happy Friday the 13th, everyone! Hooray. As I'd already done a Friday-flavored Awesome Movie Poster Friday, I wasn't hopeful that there'd be much more material out there for me to mine. Ha HA, I laugh in my own face. There's plenty of Voorhees weirdness all the world 'round! And I do mean weird...some of this stuff...I just don' […]
This is why kids who grew up in the 70s still think the 70s are the best.That's the Pointer Sisters, in case you didn't know. Oh, and Happy Birthday, Sesame Street.
No, Shannon Lark and I aren't done making stuff yet. Yes, I'm still working on Ludlow. Being a one-woman band can be taxing, but it's neat to wear cymbals between one's knees.Sorry, I need more coffee.------------------------------SHANNON LARK: With all the ballyhoo over Ludlow, Voyeur, and the 100 million other things that Stacie Ponder […]
Yo! MTV Raps So check it, y'all...this week at AMC I'm all about doubling your pleasure, your fun, and your frights with a wee column about twins in horror movies. Yes, I talk about The Shining, but I posit that the Grady Girls are the most famous horror movie twins who are not, in fact, twins. I am a rabble-rouser, caring not a whit for my own wel […]
Y'all, I have an unabiding, irrational, and unconditional love for Brittany Murphy...the kind of love you have for an actor that makes you sit through movies you wouldn't normally watch with 10-foot eyeballs (yes, I've seen Uptown Girls), the kind that causes you to deny all the rumors outright (even when you hear them from a really good sourc […]
stacieponder@gmail.com (Stacie Ponder)
23:45 - The ThingNovember 10, 2009 stacieponder@gmail.com (Stacie Ponder)
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